Considering tomorrow is the last day of spatial theory class, I figured it was about time to get around to posting curiosities that I’ve collected throughout the term but have otherwise forgotten to post or ran into technical difficulties with. I attempted to post a number of these last week, but for some reason WordPress decided to eat my post after it was submitted for review.
Since surveillance has been such a prevalent topic in our class, I figured some people might find this online journal useful. In my own studies, I’ve culled a great number of useful articles from this peer-reviewed, free-access journal, using them for both research and inspiration in terms of engaging surveillance studies. They are currently in a transition process, with newer articles on the new website, and back issues that have not been transferred yet remaining in the old one. Each issue is typically arranged around a particular topic of surveillance and includes research (sociological, psychological, political science, cultural studies, etc.), editorials, opinion pieces and even the occasional creative work.
As a starting-point for discussion in my group, I made a .zip file of all the articles I though were the most relevant to the Waterloo Watchmen initiative. You can download the files from the link below. Hopefully they might help others as to fill in any missing theory in their final paper.
This website combines new media and spatial mapping to provide a resource for community-run surveillance as well as counter-surveillance of policing. It employs the flexibility provided by the Internet to allow people to create a dynamic, flexible and collaborative representation of surveillance and crime in their area. This aggregation of surveillance data allows Oakland residents to have current and non-externally selected (i.e. not just what the news reports) understanding of crime in their area, allowing them to view crime patterns as they are associated with spaces. Moreover, exploiting the connectivity of new medias, the website provides for RSS feeds and alerts sent to people’s cell phones, giving them up to the minute information. While it certainly feeds into a Panoptic structure, it shows ownership of the Panopticon instead of mere subjection to it. It stands as an interesting representation in digital terms of how disciplinary societies function.
Jacques Derrida’s “Fear of Writing”
I thought that this video, while not about space, was incredibly appropriate for describing the feeling of writing the chora essay. Guessing how primary Derrida was to so many of our papers, thought it was rather appropriate. Hopefully few are experiencing such angst with our final paper. Good for a laugh at least.
Cursed’s “Into The Hive”
Since we began the first class talking about Le Corbusier, this song has been on my mind. Written by the as-of-recently defunct hardcore punk band Cursed, who are southern Ontario residents I might add, it appeared on their last album, “III”. While obviously some complexity is lost when words have to be yelled in the face of sweaty teenagers, I think Collohan’s lyrics here actually aptly engage with notions of how spatiality and architecture play a significant role in social hegemony, alienation and the extraction of economic capital. You’ll notice themes from Foucault and Marx here. But hey, we’re talking about an album that has another song called “Hegel’s Bastards.” These guys know their stuff.
As taken from the writer himself, all bizarre punctuation left in tact.
“Into The Hive
What i got, you need in. This is the future, son. Stake your claim, it’s almost gone. It’s gonna be beautiful, gonna reach the sky & more. There’s gold in them there walls. We’re tearing down all the neighborhoods, making room for designer skylines, so the lives in the underpass can be left in the dust by a whole new crowd. Units still available, primed for success. Your life in 500 square feet or less. And it’s self-contained. And it’s all the same. And only steps away from a city that you’ll never see, And every ugly abomination that the billboard never mentioned but whose problem, whose life, whose city is that? Show me a man with that much faith in concrete and I’ll show you every self-starter that ever put torch to building. Every towering inferno lying in wait. Show me your city plans, I’ll show you angry hands Selling the urban dream one locked door at a time. And this is what Air Conditioned Nightmares are made of, The architecture of isolation. What i got, you need in. This is the future, son. Stake your claim, it’s almost gone. It’s gonna be beautiful, gonna reach the sky & more. There’s gold in them there walls. Compartmentalized. Headlong into the hive. City plans that eat you alive.”
For anyone interested in hearing the album in all its abrasive glory, you can download it here: http://www.mediafire.com/download.php?emjnelz0u4m
However, defunct or not, I would still encourage you to purchase the album if you enjoy it. These guys had a rough go of it when they were together, despite widespread respect within the hardcore scene.
Finally, continuing the intersection of theories from our class and music, I thought I should share one final curiosity. Having scoured the Internet for electronic copies of Sadie Plant’s work, I was unsuccessful. However, what I did find, and what I feel compelled to share here so that it is not lost to the Internet ether is an interesting and often funny lecture delivered by Plant in the 1990’s about Situationism and its connection to techno music culture in England.
Download link: http://www.mediafire.com/download.php?gt3tgquwyyy